Disorganisation is, she says, a lifelong affliction. It takes a polymath to simultaneously mastermind a play about Haitian spirits, a multimedia project about a 19 th -century sculptor and an album about the American occupation of Haiti in the early 20 th century. Laveaux moved to France 10 years ago when Paris-based label No Format offered to release her music. Born to Haitian parents in Ottawa, she describes her childhood as traditional, though with one missing aspect — her parents wanted Laveaux and her sister to assimilate and speak perfect English and French, so refused to teach them Creole. Immersion in Creole culture was one of the prompts to make this album. Laveaux first heard her aged six, and started playing her songs after she got her first guitar following her first trip to Haiti, aged
10 Haitian Female Artist You Should Add To Your Playlist (Part I)
We Are the World 25 for Haiti - Wikipedia
Blending music and Voodoo, rara bands have long been a fixture of Haiti's Carnaval. But now all-female troupes are bringing new looks and new sounds to the formerly male-only tradition. They drum and shout, beads of sweat dripping from their foreheads. Passers-by join the joyful procession, dancing and cheering on the musicians. Carnaval, a three-day nationwide celebration, is coming to an end in Port-au-Prince, but this all-female band and other bands will continue keeping alive the traditional style of music and dance known as rara. She has been a member of the local rara band Voudoula since Each year, her band performs toward the end of Carnaval, typically in February and just before Lent, a day period of repentance, fasting and self-reflection observed by Christians.
We Are the World 25 for Haiti
She is married to co-founder Win Butler. They married in and their son was born on 21 April She plays many instruments on stage, including accordion , drums , xylophone , hurdy-gurdy , keyboards and organ.
Initially, in late , it had been suggested to Richie and Quincy Jones —producer of the original "We Are the World"—that a re-cut version of the song be re-released under the title "Live 25". Following the magnitude 7. The song was recorded in fourteen and a half hours by over eighty artists on February 1, A music video directed by Paul Haggis was released to accompany and promote the song.